Tiffany Sia

[is thinking about Alberto Moravia reflecting on being on television: "Those who [have seen me on television] greet me in the street with sincere affection….But when I ask them if they have read any of my work they often reply, without much apparent regret, that because they go to work they have no time to read. And here we come to the mystery of what television really is, of whether it is a pastime or something else. The reply that they give me signifies implicitly that since they find time for television, but not for reading, then the mass media in question is not a traditional pastime. So what is it then? This is the point I wanted to get to. Television, I think, is something like sleeping or resting: a physiological need, which reading obviously isn’t. In any case, the record for the dissociation that television producers between me as pure image and me as a writer came some days ago in Veron. The main square of the city, a girl came running up to me and exclaimed: 'How happy I am to make your acquaintance: who are you?' The phrase signified what she already had seen me on television, and as a result she loved me; but she had no idea who I was.”]

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    Current & Upcoming

    "THEY PREFER US WHEN WE'RE DEAD" in a volume on film/video edited by Jean Ma, Joshua Neves and Marie Martraire (Fall 2026).

    "STOLEN CAR, A SCREENPLAY: TIFFANY SIA, HOWIE CHEN AND GORDON H. CHANG" in Legacies: Asian American Art movements: A Critical Anthology (Fall 2026).

    TITLE TK (ARTIST BOOK). New York: no place press (2027~).

    Past

    ON AND OFF-SCREEN IMAGINARIES. New York: Primary Information (2024).

    THE APPEARANCE OF DISTANCE: TIFFANY SIA AND ED HALTER IN CONVERSATION. Matthew Lawson Garrett. CCS Bard, 2025.

    "TIFFANY SIA," Paraventi: Folding Screens from the 17th to 21st Century. Fondazione Prada (2023): 296-300.

    NEW TERRITORIES: RECONFIGURING PUBLICS IN FORMER AND NEW HONG KONG CINEMA. UC Press: Film Quarterly (2023) 76 (4): 9-21.

    THE SCREEN AGE: VIDEO'S PAST AND FUTURE. TIFFANY SIA RITES ON THE 1990S VIDEO TAIWAN: THE GENERATION AFTER MARTIAL LAW. Artforum (May 2023).

    "NEVER REST/UNREST: EMERGING TIME," Signals: How Video Transformed the World. The Museum of Modern Art (2023): 100-107.

    HANDBOOK OF FEELINGS. MIT Press: October (2022) (180): 137–149.

    PHANTASMS OF DISSENT: HONG KONG'S NEW DOCUMENTARY VERNACULAR. UC Press: Film Quarterly (2022) 75 (4): 34–46.

    WEIRD TIMES. Text by Tiffany Sia and Images Selected by Yuri Pattison (2021/22). The Douglas Hyde Gallery (2021). Kunstverein für die Rheinlande und Westfalen, Düsseldorf (2022).

    TOO SALTY TOO WET 更咸更濕. Hong Kong: Speculative Place (2020).

    SALTY WET 咸濕. New York: Inpatient (2019).


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