Tiffany Sia

[is thinking about Alberto Moravia reflecting on being on television: "Those who [have seen me on television] greet me in the street with sincere affection….But when I ask them if they have read any of my work they often reply, without much apparent regret, that because they go to work they have no time to read. And here we come to the mystery of what television really is, of whether it is a pastime or something else. The reply that they give me signifies implicitly that since they find time for television, but not for reading, then the mass media in question is not a traditional pastime. So what is it then? This is the point I wanted to get to. Television, I think, is something like sleeping or resting: a physiological need, which reading obviously isn’t. In any case, the record for the dissociation that television producers between me as pure image and me as a writer came some days ago in Veron. The main square of the city, a girl came running up to me and exclaimed: 'How happy I am to make your acquaintance: who are you?' The phrase signified what she already had seen me on television, and as a result she loved me; but she had no idea who I was.”]

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  • A Child Already Knows
    A Conversation with Tiffany Sia and An-My Lê
    A Road Movie is Impossible in Hong Kong
    A Wet Finger in The Air
    An Image on Air
    Antipodes
    Antipodes II
    Antipodes III
    Barriers Buy Time
    Basel Statements 2024
    Bastard Tongue
    Bibliography
    #Book
    CLOSER
    CV
    #Chapbook
    Distinguished Lecture in Asian Art in Honor of the Lijin Collection | Tiffany Sia: No Place
    Do Not Circulate
    Executive Producer
    #Film & Video
    Filmography
    #Group Show
    Handbook of Feelings
    Hell is a Timeline
    Hong Kong is a Fictive Process
    IMU UR2: Art, Aesthetics and Asian America
    In Plain Sight
    Journey From North to South
    Kimi
    LISTE 2022
    Minor Landscape – Series
    Minor Landscapes
    Never Rest/Unrest
    New Territories: Reconfiguring Publics in Former and New Hong Kong Cinema
    No Place
    On and Off-Screen Imaginaries
    Phantasms of Dissent: Hong Kong's New Documentary Vernacular
    SEA – SHIPPING – SUN
    Salty Wet 咸濕
    Scroll Figure – Series
    Shadows and Transmissions
    Slippery When Wet
    Slippery When Wet, Artists Space – Microsite
    Speculative Place
    TL;DR
    Technical Difficulties
    The Appearance of Distance
    The Bastard Scroll
    The Bastard Scroll – Single Prints
    The Screen Age: Video's Past and Future
    The Sojourn
    Tiffany Sia on An-My Lê
    To Be In And Out Of The World
    Too Salty Too Wet 更咸更濕
    Too Wet
    Under the City, There is a Beach
    Unfinished Business
    Website
    Weird Times
    What Rules the Invisible
    #Works on Paper
    #Writing
    #Yuri Pattison

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